๐Ÿ“ธ ๐Ÿ‡ฑ๐Ÿ‡ป Photo Essay: Latvia

I take a lot of pictures when we travel. A LOT of pictures. Probably approaching an annoying amount of pictures. But when I post them, I try to curate. I choose the top 10-15 photos that represent the day and edit them. Because no one wants to see 113 un-edited vacation photos. No one. After our trip, I put together my photo essay of Latvia, which includes additional curated photos.

Someone (I have no idea who) once said, โ€œThe best camera is the one you have with you.โ€ The camera I have with me the most is my iPhone, which is absolutely not the best camera, but it is with me 99% of the time. And it does a damn fine job for my photo essays.

We do a massive amount of walking when we travel, and Iโ€™ve learned the hard way that carrying my โ€œbigโ€ camera (Nikon D-800) is just too much (too heavy, too bulky, too hot, too everything), so it stays at home. Lately, Iโ€™ve been doing more and more street photography when we travel. But life happens pretty fast โ€” carrying 10 pounds of camera gear in a backpack, stopping to get it out, and then set it up is an exercise in frustration. By that time I do all that, the shot I wanted is gone. Iโ€™m a pretty quick draw (and pretty stealthy) with my iPhone, though.

Other cameras I travel with: my Leica Q3 (fixed lens), and my Sony RX-10 (zoom). Carrying both of them is (again) too everything. So, I make a guess as to which one I will need for the day. And whichever way I guess, I usually need the other one. But I always have my iPhone.


Here is my photo essay of Latvia (in no particular order). I did get to sneak in a few street photography shots (black and white), though not as many opportunities as I would have liked. Honestly, too cold to people watch!

I hope you enjoyed my photo essay from Latvia. You can find my entire (work in progress) photography portfolio here

Priekฤ!

All images ยฉ 2025 Kirsten Georgi Photography

2 comments

  1. Love the black-and-white ones of the people doing ‘people things’ . . . to my eye they are always the ‘real’ and ‘meaningful’ ones . . .

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